Watain Announces Title And Release Date For New Album
Tuesday, April 30, 2013 at 4:02PM WATAIN has announced the title and release date of their upcoming album: "After 120 nights of iron will and ardent magic, the fifth full length album of WATAIN is now complete. With broken bones and burning hearts we have ploughed our way through deepest winter into a new wilderness, to which we will open the gates at summer's end. 'The Wild Hunt' will be released on August 19th in Europe and August 20th in USA. Beware the rising star of dawn..."

The album was mixed again at the Necromorbus Studio in Alvik, Sweden by Tore Stjerna. No further comments. More details will be unveiled soon.
Formed back in 1998, WATAIN's first two albums, Rabid Death's Curse (2000) and Casus Luciferi (2003) established the band firmly within the underground scene, whereas Sworn To The Dark (2007) and especially Lawless Darkness (2010) helped them conquer a wider audience, making them one of the most talked about acts in recent years. Musically rooted in classic black metal inspired by the likes of VENOM, HELLHAMMER, BATHORY, MAYHEM, DISSECTION as well as the grandeur of old IRON MAIDEN, METALLICA, RAINBOW, it is the larger-than-life aesthetics and total dedication to their art that elevates WATAIN beyond almost any other extreme metal band out there. WATAIN is satanic metal at its most frightening and fascinating.
After celebrating their 13th anniversary with the release of the DVD/double live album Opus Diaboli (2012) under the band's own imprint His Master's Noise, followed by an US tour with BEHEMOTH, THE DEVIL'S BLOOD and IN SOLITUDE last year, plus celebrated shows at Wacken and Bloodstock Open Air, 2013 will see the release of WATAIN's much anticipated fifth studio album, The Wild Hunt, via His Master's Noise in collaboration with Century Media Records.
WATAIN online:
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Show Review: Behemoth, Watain, Insolitude, The Devil's Blood
About a month ago (4/20/2012), The Decibel Magazine Tour stormed through Seattle's El Corazon. The tour package featured Polish black metal powerhouse Behemoth's triumphant return to a North American headlining position, and saw support from a fine crop of equally talented opening acts. The support bands were of a top notch caliber, and varied perfectly in scope and style from pentagram touting, torch burning Watain, to the 70's sounding Devils Blood. The tour's openers really knew what they were doing.
The night kicked off with an unmemorable, local opener and less than impressive crowd, who seemed more interested in frequenting the packed bar than they did to see a local opener slog through sloppy dissonant metal. The Devil's Blood hit the stage to a more filled out crowd to much excitement and enthusiasm from the crowd. The band, which features a female lead vocalist, all sauntered onstage covered in fake blood and playing a slew of guitar riffs that seemed to be more at home within a bad 1978 acid trip than a heavy metal show. I must say however, that the band ended up winning me over with the vocalist's impressive range to a fifteen minute jam session in the middle of the set. This was a band that truly knew how to get a crowd warmed up and ready for a night of metal. If you have a couple of bucks I highly suggest picking up the band’s latest release "The Thousandfold Epicenter".
For full review and some amazing photos please CLICK HERE!